The right use of images remained a concern of the Church’s pastors in the centuries after Trent, and one of the most significant documents was Pope Benedict XIV’s Brief Sollicitudini Nostrae of 1745, which provided a concise summary of current questions. However, it was only in the twentieth century that the Supreme Magisterium of the Church made general pronouncements about sacred art and its relationship with the sacred liturgy.
The rest of this online article is available for current Guild members.
This article is from The Sower and may be copied for catechetical purposes only. It may not be reprinted in another published work without the permission of Maryvale Institute. Contact [email protected]