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Forming those who form others

Learning through Art: The Crucifixion Mosaic

Mosaic by Fr Marko Ivan Rupnik S.J.

Looking at the mosaic in more detail, we see certain unusual features in its composition.

Here we can see the pieces of mosaic, called tesserae, more clearly. At the Aletti Study and Research Centre, Rome where this mosaic was made, all the pieces are cut by hand to ensure natural irregular shapes and textures and only natural coloured marble is used. For strongly coloured highlights, such as the pupils of the eyes, an ancient method of making resin is used instead.

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Caroline Farey divides her time between teaching catechetics and philosophy. She was the Director of the BA in Applied Theology for Catechesis at the Maryvale Institute in England, and is Lecturer in Philosophy at St Mary's College, Oscott, the Seminary for the Archdiocese of Birmingham, where she teaches Metaphysics, Epistemology, and St Thomas Aquinas. She is a regular contributor to The Sower, writing the "Learning Through Art" column and sees The Sower as a key means of ensuring a creative ongoing formation for DREs and key catechists. Her degrees included a MA in Theology and a Licence in Philosophy from the Pontifical University, Maynooth, as well as an S.T.L from the Pontifical University Louvain, and a doctorate from Lateran University in Rome. She was also contributing editor to The Pedagogy of God.

This article is from The Sower and may be copied for catechetical purposes only. It may not be reprinted in another published work without the permission of Maryvale Institute. Contact [email protected]

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